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A Queer History of the United States is more than a "who's who" of queer history - it is a book that radically challenges how we understand American history. Drawing upon primary source documents, literature, and cultural histories, scholar and activist Michael Bronski charts the breadth of lesbian, gay, bisexual, and transgender history, from 1492 to the 1990s.

The movement for gay and lesbian rights in America is a response to long-held beliefs that have, at times throughout the history of the United States, made homosexuality legally, politically, and socially unacceptable. This collection of primary documents explores those beliefs and their counter-arguments, providing varying viewpoints on the complex issue of gay and lesbian rights. Personal testimonies, laws, opinion pieces, court cases, and other documents, dating from colonial times to the present day, encourage students to challenge their assumptions and strengthen critical thinking skills.

Going beyond transgender to question the need for gender classification, Beyond Trans pushes the conversation on gender identity to its limits: questioning the need for gender categories in the first place. Whether on birth certificates or college admissions applications or on bathroom doors, why do we need to mark people and places with sex categories? Do they serve a real purpose or are these places and forms just mechanisms of exclusion? Heath Fogg Davis offers an impassioned call to rethink the usefulness of dividing the world into not just Male and Female categories but even additional categories of Transgender and gender fluid.

Queering the Redneck Riviera recovers the forgotten and erased history of gay men and lesbians in North Florida, a region often overlooked in the story of the LGBTQ experience in the United States. Jerry Watkins reveals both the challenges these men and women faced in the years following World War II and the essential role they played in making the Emerald Coast a major tourist destination. In a state dedicated to selling an image of itself as a "family-friendly" tropical paradise and in an era of increasing moral panic and repression, queer people were forced to negotiate their identities and their places in society.

On June 28, 1969, the Stonewall Inn, a gay bar in New York's Greenwich Village, was raided by police. But instead of responding with the routine compliance the NYPD expected, patrons and a growing crowd decided to fight back. The five days of rioting that ensued changed forever the face of gay and lesbian life. In Stonewall, renowned historian and activist Martin Duberman tells the full story of this pivotal moment in history. With riveting narrative skill, he recreates those revolutionary, sweltering nights in vivid detail through the lives of six people who were drawn into the struggle for LGBTQ rights.

The fight for gay, lesbian and trans civil rights is the most important civil rights issue of the present day. Based on rigorous research and more than 150 interviews, The Gay Revolution tells this unfinished story not through dry facts but through dramatic accounts of passionate struggles, with all the sweep, depth and intricacies only an award-winning activist, scholar, and novelist like Lillian Faderman can evoke. A defining account, this is the most complete and authoritative book of its kind.

Julie Sondra Decker's book functions as a starting point for people interested in asexuality. It covers the basics of what asexuality is and isn't, explores the most common issues asexual people may be dealing with, presents some pointers for newly asexual-identified people and the people who love them, and includes some resources to find out more. It's for the layperson, written in everyday language. She writes for people who are on the asexual spectrum, people who think they might be asexual, friends and family and partners of people who have come out as asexual, curious parties, and those looking for information on the subject for their school papers, sexuality studies, and alternative sexuality resources. And it's for people who think asexuality doesn't exist.

Often disguised in public discourse by terms like "gay," "homoerotic," "homosocial," or "queer," bisexuality is strangely absent from queer studies and virtually untreated in film and media criticism. Maria San Filippo aims to explore the central role bisexuality plays in contemporary screen culture, establishing its importance in representation, marketing, and spectatorship. By examining a variety of media genres including art cinema, sexploitation cinema and vampire films, "bromances," and series television, San Filippo discovers "missed moments" where bisexual readings of these texts reveal a more malleable notion of subjectivity and eroticism. San Filippo's work moves beyond the subject of heteronormativity and responds to "compulsory monosexuality," where it's not necessarily a couple's gender that is at issue, but rather that an individual chooses one or the other.

When we are born, we are each assigned a gender based on our physical anatomy. But why is it that some people experience such dissonance between their biological sex and their inner identity? Is gender something we are or something we do? Is our expression of gender inborn or does it develop as we grow? Are the traditional binary male and female gender roles relevant in an increasingly fluid and flexible world? This intelligent, stimulating volume assesses the connections between gender, psychology, culture and sexuality, and reveals how individual and social attitudes have evolved over the centuries.

Making Girls into Women offers an account of the historical emergence of "the lesbian" by looking at late-nineteenth- and early-twentieth-century women's writing. Kathryn R. Kent proposes that modern lesbian identity in the United States has its roots not just, or even primarily, in sexology and medical literature, but in white, middle-class women's culture. Kent demonstrates how, as white women's culture shifted more and more from the home to the school, workplace, and boarding house, the boundaries between the public and private spheres began to dissolve. She shows how, within such spaces, women's culture, in attempting to mold girls into proper female citizens, ended up inciting in them other, less normative, desires and identifications, including ones Kent calls "protolesbian" or queer.