The drama of conflict, chaos, and war come to Western readers in daily newspaper stories, but the news gives us scant details about how people live their lives in Islamabad, Fez, Cairo, or Tehran. Through the titles in “Points of View,” readers will encounter individual experiences in Muslim-majority societies through memoirs and novels representing a diverse geography and some of the best contemporary storytelling.
The most recognized narratives of the Islamic world often come to Westerners in the daily news. The drama of conflict, chaos, and war abruptly arrives in the morning newscast or paper along with the toast and coffee. But the “news” gives us scant details about how people live their lives in Islamabad, Fez, Cairo, or Tehran. The human experience—loves, losses, births, deaths—is the currency of the novel, the memoir, the personal history. These stories can provide the riveting and recognizable details of falling in love, coming of age, navigating irreconcilable loss, or making difficult choices.
Understanding and examining Islamic culture through memoirs and fictional works can bring a new awareness of our shared values and difficulties, as well as our shared successes. Islam as a religion often fits into these stories’ plots in the way that a local church community might play a role in an American work of fiction.
The novel is a relatively recent addition to the literary tradition of the Arab and Islamic worlds. Poetry, an ancient art, is much more revered—as are other modes of storytelling, some of which we explore in “Literary Reflections.” Still, the novel produced the first Muslim winner of the Nobel Prize in Literature, 1988 honoree Nagib Mafouz of Egypt, and in more recent decades a legion of writers producing imaginative works that are accessible and illuminating, and that have become familiar to readers worldwide.
"Cairo writes, Beirut publishes, Baghdad reads” is an old Arabic saying that reflects an earlier literary culture before it was threatened by fundamentalism and all but extinguished by repressive governments. Recently, courageous writers have been exercising atrophied literary muscles again by taking on taboo topics of oppression, corruption, inequality, and women’s rights in a creative variety of narrative formats.
This theme was developed by Deborah Amos, international correspondent for National Public Radio. Amos’s reports can be heard on NPR’s award-winning Morning Edition, All Things Considered, and Weekend Edition. Amos joined NPR in 1977, first as a director and then a producer for Weekend All Things Considered. Amos joined ABC News in 1993 and spent a decade in television, reporting for ABC’s Nightline and World News Tonight and the PBS programs NOW with Bill Moyers and Frontline. Upon returning to NPR, Amos took up the post of foreign correspondent in Amman, Jordan, and then London Bureau Chief. Amos won widespread recognition for her coverage of the Gulf War in 1991. A year later, she published Lines in the Sand: Desert Storm and the Remaking of the Arab World (Simon and Schuster, 1992). She is a former Nieman Fellow at Harvard University, has taught journalism at Princeton University, and is a member of the Council on Foreign Relations. Her latest book is Eclipse of the Sunnis: Power, Exile, and Upheaval in the Middle East(PublicAffairs, 2010). She lives in New York City.