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Gregory Orfalea's new and definitive work spans a century and a half of the life of Arab immigrants and their descendants in the United States. In The Arab Americans: A History, Orfalea has marshaled over 150 interviews and 25 years of research to tell the story that begins in 1856, when camel driver Hajdi Ali (or Hi Jolly) was hired by Jefferson Davis to cut a "camel trail" across the Southwest, and continues through the 2005 arrest of a former Virginia high school valedictorian accused of plotting with al-Qaeda.

Bringing the rich terrain of Arab American histories to bear on conceptualizations of race in the U.S., this groundbreaking volume fills a critical gap in the field of ethnic studies. Unlike most immigrant communities who either have been consistently marked as ""non-white,"" or have made a transition from ""non-white"" to ""white,"" Arab Americans historically have been rendered ""white"" and have increasingly come to be seen as ""non-white."" This book highlights emergent discourses on the distinct ways that race matters to the study of Arab American histories and asks essential questions.

This is a profound study of how contemporary Arab American women writers who have been marginalized and silenced, especially after 9/11, are pointing out the racism, oppression, and marginalization they experience in the United States and are beginning to uncover the particularities of their own ethnic histories. The book focuses mainly on four works by contemporary Arab American women writers: A Border Passage (1999) by Leila Ahmed, Emails from Scheherazad by Mohja Khaf, West of the Jordan (2003) by Laila Halaby, and Crescent (2003) by Diana Abu-Jaber, examining how each of these works uniquely tackles the idea of having a hyphenated identity--an identity that has been complicated by living in a hostile environment and living in a borderzone..

At no other time in American history has our imagination been so engrossed with the Arab experience. An indispensable and historic volume, Inclined to Speak gathers together poems, from the most important contemporary Arab American poets, that shape and alter our understanding of this experience. These poems also challenge us to reconsider what it means to be American. Impressive in its scope, this book provides readers with an astonishing array of poetic sensibilities, touching on every aspect of the human condition.

Etching Our Own Image: Voices From Withint is a celebration of Arab American art and identity. In the wake of 9/11, the need for Arab Americans to define themselves, rather than be defined by others has galvanized an artistic movement. This collection of writers includes poets, musicians, playwrights, creative writers, painters, conceptual artists, comedians and scholars of the arts who have gathered to assert for themselves what it means to be Arab American.

The landscapes, cultures, and cuisines of deserts in the Middle East and North America have commonalities that have seldom been explored by scientists--and have hardly been celebrated by society at large. Sonoran Desert ecologist Gary Nabhan grew up around Arab grandparents, aunts, uncles, and cousins in a family that has been emigrating to the United States and Mexico from Lebanon for more than a century, and he himself frequently travels to the deserts of the Middle East. In an era when some Arabs and Americans have markedly distanced themselves from one another, Nabhan has been prompted to explore their common ground, historically, ecologically, linguistically, and gastronomically.

The story of how young Arab and Muslim Americans are forging lives for themselves in a country that often mistakes them for the enemy Arab and Muslim Americans are the new, largely undiscussed aproblema of American society, their lives no better understood than those of African Americans a century ago. Under the cover of the terrorist attacks, the wars in Afghanistan and Iraq, and the explosion of political violence around the world, a fundamental misunderstanding of the Arab and Muslim American communities has been allowed to fester and even to define the lives of the seven twentysomething men and women whom we meet in this book.

Four out of ten Americans say they dislike Muslims, according to a Gallup poll. "Muslims," a blogger wrote on the Web site Free Republic, "don't belong in America." In a lively, funny, and revealing riposte to these sentiments, journalist Jonathan Curiel offers a fascinating tour through the little-known Islamic past, and present, of American culture. From highbrow to pop, from lighthearted to profound, Al' America reveals the Islamic and Arab influences before our eyes, under our noses, and ringing in our ears.

The 'evil' Arab has become a stock character in American popular films, playing the villain opposite American 'good guys' who fight for 'the American way.' It's not surprising that this stereotype has entered American popular culture, given the real-world conflicts between the United States and Middle Eastern countries, particularly since the oil embargo of the 1970s and continuing through the Iranian hostage crisis, the first and second Gulf Wars, and the ongoing struggle against al-Qaeda. But when one compares the 'evil' Arab of popular culture to real Arab people, the stereotype falls apart.

For many North Americans, Arab Americans are invisible, recalled only when words like "terrorism" or "anti-American sentiments" arise. However, people of Arab descent have been contributing to U. S. an d Canadian culture since the 1870s in fields as diverse as literature, science, politics, medicine, and commerce -- witness surgeon Michael DeBakey, former Oregon governor Victor Atiyeh, consumer advocate Ralph Nader, and Canadian M.P. Mac Harb. Yet while Arab American contributions to our society are significant and Arab Americans surpass the U.S. average in both education and economics, they still struggle for recognition and acceptance.